For example, Antigone and Creon fully establish their personalities and occasionally reveal their changes in character through their specific word. As King of Thebes, Creon is forced to make difficult decisions. Antigone is a Greek tragic piece written by Sophocles. In Creon's old age, a descendant of an earlier king of Thebes named invades Thebes and, after killing Creon, takes the crown. He was already heading the wrong direction with his pride and it finally was too much. The flaw usually effects the protagonist and leads to his down fall.
Later on, he proves his real intention. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. Polyneices was suppose to share the throne with his brother Eteocles but instead Eteocles took all the power and banished Polyneices from Thebes, so Polyneices formed an army to fight his brother. Hoping to advance his station through this second marriage, he only fuels Medea to a revenge that includes the deaths of his new bride, her father, and his children. What this really made me think about is, what is it about power that brings about such intense insecurity? In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. The city is just coming back together from a state of total anarchy.
Her words are very convincing because she surveys the insignificance of mortals using words that refer to the eternity of the gods. However, unfortunately, two never does not make it twice as strong, only absurd. When we see Creon in Antigone he has become king and he begins to make his mistakes. Creon had an egoistic way of seeing things. Though Antigone definitely possesses the characteristics and qualities that… 593 Words 3 Pages Creon as Tragic Hero of Sophocles' Antigone There has always been a bit of confusion as to the tragic hero of the Greek Drama Antigone.
I believe that Creon, king of Thebes, should be considered the main character in this work of Greek theater. Secondly, he states clearly that no woman shall overstep her place. Perhaps Creon thinks that losing his power would mean complete misery. Her loyalty is shown from the beginning of the play, where she immediately proclaims to her sister, Ismene, that she will give her brother a proper burial, even though death is threatened for anyone that does. And for the last I will be examining how essential Creon is to the way this situation plays itself out. He used his mind and shaped his actions under the light of business, politics and society. Antigone first sign of arrogance is in the beginning of the play where she and her sister, Ismene, are having a conflict about whether or not they should bury the brother.
This created a major portion of the 606 Words 2 Pages qualifications of a tragic hero vary between Aristotle and Shakespeare. Creon and Antigone did not see eye-to-eye the entire play due to extreme differences. In it he has a great deal to say about the structure, purpose and intended effect of tragedy. When the Sphinx started tormenting his city, he proclaimed that anybody who could solve her riddle could have his crown and the hand of his sister, Jocasta. One time he is a secretive rat like figure and one time he is the centre of sympathy for all.
He shows himself to be honest, forthright, and even tempered. The Roman poet recounts a differing version of Creon's assumption of power from that followed by Sophocles, in his first-century epic, the. With this in mind, one could say that Creon, Antigone's uncle as well as the king of Thebes, chooses to act with moral obligation. Unfortunately, his greed overcame his responsibility of the throne. Creon had absolute certainty that Polyneices was a traitor and issues a proclamation that no one is to give him a proper burial, but Antigone disregards this law flagrantly which sends Creon into a fit of fury. Sophocles continues to elaborate on her assertive nature with the use of rhetorical questions throughout her argument with her uncle.
Initially, he makes a huge error in judgment that eventually leads to his downfall. To learn more, check out these next two plays in the trilogy. When a legitimate argument is raised against his course of action by Teiresias, he is in fact completely open to changing course, even before he learns of the deaths of his family members. This image that is created links us to the idea of suppression. Medea - Protagonist of the play, Medea's homeland is Colchis, an island in the Black Sea, which the Greeks considered the edge of the earth--a territory of barbarians.
He is a master of manipulation, where he uses his words and actions as tools to achieve his main goal to become the ruler which he eventually does. Creon declares himself King of Thebes after the death of the two rightful heirs, the brothers Eteocles and Polyneices. Much of the initial preconception about his character has to do with the fact that he is shown in isolation with the people of Thebes when the play starts off. In her justification of her accused crime, Antigone contrasts human and Gods to ridicule the idea of state law over divine traditions. Character Analysis of Creon from the Oedipus.
The main character of the play, Antigone, is forced to choose a decision between abiding by the law, and showing obligation to her family. Her death led to main tragedy as her husband and mother in law both commit suicide hence leaving the King in distress and pain. I think that because of this he feels more threatened by Antigone, and he probably fears that Ismene might do the same in the future. The story ended by the death of Antigone, haiemon her Fiancé and his mother, while Creon stayed alone after he had lost his son and wife. Creon possesses the fatal flaw of pride, experiences a reversal of fate, and receives an increase of self-awareness by the end of the play. Creon's fierce dedication to law and order seems to be exactly what Thebes needs. Creon is a true Greek hero as he transforms through both texts as is evident through his quest for power, loss of insight, and his knowledge.