The river glideth at his own sweet will: Dear God! That might be the point Wordsworth had seen and thus he mentally digested it in his sonnet. In general it is hardly possible to see any of them caused by pollution etc. The poet gives life to the sun, the river, the houses and finally to the whole city which has a symbolic heart. While touring Europe, Wordsworth came into contact with the French Revolution. Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. The city wears a garment like a far lady.
The very houses seem asleep; And all that mighty heart is lying still! From that point of view it is appropriate. Life and Works of William Wordsworth William Wordsworth, the poet and prophet of Nature, was born in 1770 in Cockermouth, Cumberland in the beautiful Lake country of Northern England. The poet starts his poem by saying that the scene of the city from Westminster Bridge is so beautiful that there cannot be anything more beautiful than this scene on this earth. He is awed by the calm of the city. What has struck the poet most about the sight of London city early in the morning is the calm that has enveloped it.
But it's an innocent exaggeration as he is so caught up in the moment. The speaker declares that he has found the most beautiful scene on earth. The element of surprise accounts for the speaker's enthusiasm. Equally important in the poetic life of Wordsworth was his 1795 meeting with the poet. It seemed to wear a new dress. Between these two is a break called a volta which emphasises the traditional change in mood or subject between the octave and sestet. He has a unique way of describing it with simple language, reflecting in the simplest way his own personal first person perspective and thoughts on the scene from the bridge.
Throughout Composed upon Westminster Bridge Wordsworth uses imagery, figures of speech and tone. He would have enjoyed the nature many times before. He can't compare the scene from the bridge with anything except his own memories, but since that's all anyone can do we'll let him run with this one. The speaker of the sonnet might be a little bit confused by the almost deathly silence and therefore he addresses to God. The reduced version of a petrarchan Sonnet by Hopkins praises God for all the odd and strange things within nature.
A profound calm prevailed there. The speaker begins by asserting that the view before him just might be the best thing in the world. The tall building of the city, its towers, domes, theatres and temples as well as the big ships anchored at its harbour lie upon in the smokeless air of the early morning. He was so much dejected with the attitude of the people. The impression is made even more touching by speaker's knowledge that, in a few hours, all will be bustle and hustle once again. See the kitten on the wall, sporting with the leaves that fall, Withered leaves—one—two—and three, from the lofty elder-tree! This shows that he was certain in his view that one day or the other day, the society would surely wake up, with social consciousness. As in, the garment could be so beautiful that it doesn't matter what the person wearing it looks like.
Everything of the city such as ships, towers, domes, theaters, temples etc is clearly visible even from the green fields that lie in distance in the unpolluted air of the early morning. The speaker is lucky to catch the city on a morning that is completely free of fog. A garment is a piece of cloth which can be worn but taken off as well. But these man-made marvels have yet to come to life in the early morning. He also uses metaphors very well to help compare the true beauty in nature to the man made structures and objects people see all the time and think of as astonishing. This emphasizes the beauty of the city in the morning.
The last striking point about the structure of the poem is the occurrence of many punctuation marks which slow down the speed of the sonnet while reading it. The beauty of the morning; silent, bare. The use of this personification also helps the reader to personalize this beauty. He thinks of his explorations around the English countryside, with its many green hills and valleys, but he decides that even these cannot compare with the vision before him. But here, he prefers to mention the river as a male. It features a speaker sharing his impressions of the view from, you guessed it, Westminster Bridge. And what is this splendid sight? London, the heart of the country, remains calm and quiet as if a roaring giant is stilled.
Wordsworth fins this site beautiful which is odd, because he is a romantic poet, and he should only find nature to be beautiful; not a city. Remember that the speaker is observing a momentary scene apart from the hustle and bustle of the city. Here, the ships and buildings are nude. It's a fleeting, transient beauty. The simple diction, meter and style of the poem enhance the simplicity, frankness and beauty of the theme. It is stressed that it does so in a beautiful manner. This is a perfect example of theme being developed because someone would have to look insanely hard to make that comparison, and notice the true beauty.
And if there is any, he is definitely devoid of any sense of natural beauty. The rhyme scheme of this sonnet is straightforward. The first has eight lines and the last has six. The buildings and ships are seen as part of the greater setting: the natural landscape. The second half of the poem contains more description than the first.
Composed upon Westminster Bridge is an Italian sonnet written by William Wordsworth. The river glideth at his own sweet will: Dear God! The poem was Upon the Westminster Bridge. He creates the impression that nature is a living being with a soul. The poem describes the city in a very positive way, communicating its power and 'splendour'. With this phrase, Wordsworth comes close to capturing the indescribable feeling of familiarity and distance all at once.